Archive for June 10, 2018

Feeling Hot, Hot, Hot!!!

‘Where to start?’ is a perennial question in literature, life…and yes, on a small scale, in this blogpost.

With the recent publication of both my poetry chapbook How to Grow Matches (Against The Grain Press) and my second novella Always Another Twist (Mantle Lane Press), the twists in my own writing life have been many, with news, reviews and interviews flowing fast and thick.

First up, I’m delighted to share news of my shortlisting for Worcestershire Poet Laureate 2018/2019 – along with Peter Sutton and Betti Moretti. It’s been years since I’ve felt I might be in a position to apply for the role, so I’m delighted to be in the running for this. I’ll be performing my two poems this afternoon at the launch of this year’s festival, at The Angel Centre, Worcester, when the new laureate will be announced. More info on this and other festival events here.


Fiona McVie’s extensive author interview with me here for Author Interviews features not just my recent publications, but also highlights from previous collections, writing inspiration, many people and organisations I’m grateful to and a few secrets about what makes me tick as a person as well as a writer.

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I’m very pleased to share news of Amy Deakin’s review of How to Grow Matches for The Feminist Library.

“…Leavesley wields her power with the tightly controlled precision of surgeon. Each poem seems to spark and crackle with energy and not a line is out of place. I am reminded of Carol Ann Duffy’s 1999 collection The World’s Wife, as Leavesley tells and retells stories of old paintings, unknown female perspectives on political events and characters forgotten by history, continually harkening back to the fairy tales and mythology. Yet despite these old themes, this collection has a modern relevance…

How to Grow Matches is a raging flare in the dark that commands our attention and refuses to be put out.”

Amy Deakin’s full review for The Feminist Library can be found here.

My own essay/article, Can you hear her, me, us?, on some of the inspiration and motivation behind each poem in How to Grow Matches can also be found on Against The Grain Press here.


And another audio extract/taster from Always Another Twist:‘While Dan’s at the sink, Julie pulls out her diary from the kitchen drawer, the one with the letter and number for Claire’s place. Beside it, a short note in Claire’s scribbled handwriting…’


Copies of my pamphlet How to Grow Matches and my novella Always Another are available direct from the publishers. Alternatively, email me at lifeislikeacherrytreeATyahooDOTcom if you’d like a signed or review copy of either.



20180526_092410Following a fabulous bank holiday weekend in Hay, I returned with many thoughts and ideas from the How the Light Gets In festival, hennaed hands, wonder at the beautiful book art in the British Red Cross shop window and four fabulous books from The Poetry Bookshop.

I’ve also been happily dipping in and out of Deb Alma’s wonderful collection Dirty Laundry (Nine Arches Press). The poems are striking, moving and addictive. I’ve had to force myself to pause between them so as to enjoy the full flavour of each one. Summing the collection up as whole could never do justice to all the parts. The poems are full of wisdoms and warnings. Observations of human life and light, love and lust, loss and longing are found in the smallest yet startlingly encompassing details. Sounds, metaphors and scenarios are also weaved together beguilingly.

“I am a mother, a field     a house.
 Without me, windows darken,
 no-one else knows how to put on lights
 just to bring the house to life.

“I am each of the processes of laundry…”
(‘She describes herself like this’)

Re-reading consecutive poems in Dirty Laundry, I was moved by a sense of restlessness sifting and settling, then sifting again, shape-shifting in and out of something like peace. Softness is tempered by sensual secrets, sexual sorcery/saucery and strong stances that sing of surviving darker truths and violence. In ‘Seeing It Coming’, the poem’s main character, Francine, starts to use rear-view mirrors for walking, though she finds the glass distorting:

“Finally, late night blanket-stitch,
 cross-stitch tight, she fastened
 white van mirror, angel’s wings,
 into the seams of her great-coat…”

There’s so much in just this one poem that I could say a lot more about in terms of women’s experience, what Francine might want/need to see coming, and what the distorting glass shows here…for this micro-review though, I’ll simply say that the lightness of touch here, as elsewhere in the collection, heightens the thrust of the very real human emotions that power this poem. This conceit is also an ideal metaphor for what this collection does – revealing what’s often hidden in life’s blind spots. For Francine, there’s a sense of fear and the need for safety/control. But I’m also reminded that blind-spots needn’t only be about dangerous vulnerability, they can, and should, also be places where the most beautiful surprises arise – in life and in these poems. I loved this collection!

Another pamphlet that I’ve really enjoyed recently is Carol Rumens’ Bezdelki (The Emma Press). As a reader and person, I was moved. As a reader and writer, I was admiration-struck. For no logical reason, I ended up reading the pamphlet backwards – something that seems undeliberately apt in retrospect, as these are “Poems and Translations in Memory of Yuri Georgievich Drobyshev (Rumens’ late partner), 1932-2015”.

Reading then, and re-reading since in different orders, I have to keep stopping because the poems are so achingly beautiful. Among my favourite images: loss as “I’m two ruined overcoats” in ‘Vidua’. Also the mix of myth and modern-life, and nature’s enduring presence behind, above and beyond human absence. As in:
“Souls clatter like wings,
like netted marsh birds, blind
to everything but their sky.”
(‘King Taharqa’s Last Thoughts’).

Also in the closing poem:
“I could no more believe the sap insensible
than I believe the dead are broken branches,
and all their self-songs censored or extinguished.”
(‘Nant y Garth’)

There are so many striking lines and images in Bezdelki that I now carry with me, with both emotion and literary awe.


I’ve not had much time for submissions lately. But I’m delighted to have a poem being produced as a ‘fauxlaroid’ photo and poem postcard by The Hedgehog Poetry Press. Things like the postcards – and plenty of inspirational prompts, interaction and writing prompts – are part of the extras offered by the Cult of the Spiny Hog subscription/club/collective membership, which I’d thoroughly recommend.


advert-collab-finalgrad2Thursday, June 28, University of Wolverhampton Artsfest – An Unconventional History of Maidenhood, Mothering and Mistresses

When: 28 June 2018 – 28 June 2018, 7.30pm

At: Tilstone, Arena Theatre, Wulfruna Street, Wolverhampton,West Midlands, WV1 1SE

Writers Katy Wareham Morris, Ruth Stacey and Sarah James draw on history, literature and art for their poems and narratives about women’s roles and experience in society – now and in the past.

Tickets: FREE – reserve your place at

Booking link:

Monday, August 20 – Tales Between the Ales night at The Two Towers Brewery, Birmingham

AT: The Two Towers Brewery, 29 Shadwell Street Birmingham B4 6HB

TIME: 7 -9.30pm.

I will be reading at this night of themed poetry (and fiction) celebrating all things to do with the summer: myths, legends, folklore, mischief, magic, and/or personal remembrances etc, with a twist on the subject of summer. Other readers include Colin Ward, Stephen Maguire and Ray Bradnock.

Eventbrite link
Facebook link

Friday, 12 October 2018 – Evesham Festival of Words Meet the Authors event with Sarah James, Alex Lee Davis and Richard Vaughan Davies

AT: Evesham Library

TIME: 11am-12.30pm

The Evesham Festival of Words event includes talk, readings and Q&A is open to the general public.

June 10, 2018






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